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Cain Named The Animal

Shane McCrae

'In McCrae's hands poetry is reclamation. It is also transport: writing a way out and through' Kate Kellaway Guardian

Writing you I give the death I take
I know I should feel wounded by your death
I write to you to make a wound write back

Shane McCrae fashions a world of endings and infinites in Cain Named the Animal. With cyclical rhythmic lines that create and recreate images of our shared and specific pasts McCrae writes into and through the wounds that we remember and 'strains toward a vision of joy' (Will Brewbaker the Los Angeles Review of Books).

Cain Named the Animal expands upon the biblical heavenly world that McCrae has been building throughout his previous collections; he writes of Eden of the lost tribe that watched time enter the garden and God rehearse the world and of the cartoon torments of Hell. Yet for McCrae these outer bounds of our universe are inseparable from the lives and deaths on earth from the mundanities and miracles of time passing and people growing up growing old and growing apart. As he writes 'God first thought time itself/Was flawed but time was God's first mirror.'

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  • Classification : Poetry
  • Pub Date : APR 7, 2022
  • Imprint : Corsair
  • Page Extent : 96
  • Binding : PB
  • ISBN : 9781472156587
  • Price : INR 825
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Shane McCrae

Shane McCrae is the author of several books of poetry, including In the Language of My Captor, which won the Anisfield-Wolf Book Award and was a finalist for the National Book Award, the Los Angeles Times Book Prize, and the William Carlos Williams Award; Sometimes I Never Suffered, which was short-listed for the T. S. Eliot Prize; and The Many Hundreds of the Scent. He is the recipient of a Whiting Writers' Award, a National Endowment for the Arts Fellowship, a Lannan Literary Award, and a Guggenheim Fellowship. He teaches at Columbia University and lives in New York City.

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